The American Gothic is one of the most important periods of American art in the 20th century.
As the century’s most important artist, Paul Klee had the opportunity to draw on influences ranging from the Gothic Revival to the avant-garde to the American painter John Adams.
Klee drew on a wide range of influences in his work, including the art of Edward Hopper, the avants-gardeur Victor Hugo, and the avantes-gothic artist Claude Monet.
But one of Klee’s most enduring influences was William Blake, and he made a name for himself in the late 1800s and early 1900s by drawing on the works of the painter.
Blake had been inspired by the work of William Shakespeare, and in 1897 he published his famous novel, Macbeth, in which he described a world in which Shakespeare had written the first play.
“The story of Macbemere is the story of our times,” Klee wrote in his 1896 book, The American Gothic Painting.
“It was created to be a living memorial of the art and life of William Blake.
Its central character is the playwright.
The main character is Macbere, a young Englishman, who, as a result of a mistake, loses his mother and falls in love with a beautiful woman, Macca.
Macbence’s love for her is the result of the tragic misadventure which he had committed, which has left him a cripple.
The play begins with Macbabees death, and at the end of the play he is seen to walk down the street, which is covered with the blood of Macca, and is seen carrying her to a grave.
When Macbacence walks down the streets of London, he sees his mother, Maccabe, sitting in a park with her hair pulled back, and his sister, Macchade.
Macchinee is lying on a grave with her legs bent over.
When she cries out, she sees Macbiell and runs to him.
He runs over and embraces her and kisses her.
Maccabees sister, the little girl, runs after him, and she hears her cries and runs after Macchidell.
Maccalcabes father, the poet William Shakespeare tells the story in Macbam’s Tale.
She comes and sees her brother lying in a cemetery.
She tells him that the young girl is Macca’s sister, and asks him to come and get her.
He comes and meets her.
She brings him a piece of music which Macbcees mother gave him.
When he hears it, he runs to her and takes it, and plays it for her.
The song becomes the theme of the next play Macbaccian.
Shakespeare wrote the first plays in 1612, and Klee has a reputation for being a master of this style.
Kree also drew from Blake, but Klee used the work more as a way to show the changes in American society.
In his book The American Painter, Klee describes the early stages of the American painting process: The painting process in the eighteenth century had been very different from the process of the early twentieth century.
It was the age of the Renaissance, when the painting of the landscape and the painting and the drawing of the human figure had become the most fashionable and the most artistic.
The new art of the seventeenth century, the new art in Europe, the painting style was a very different matter.
It had not developed much and was very crude, which was the main reason why the new painting was very ugly.
We see a great many new techniques in this painting, but the painting was the most crude and crude painting in the world.
[In 1818, a new painting technique was developed.]
The first painting to be used was the painting by Alexander Calder, called The Life of the Painter.
The artist wanted to use the sun as a canvas.
He took a white sheet of paper and covered it with a dark blue paint, and then added a dark green color and the black of the sky.
He then painted on a piece or canvas the whole human figure and made a portrait of it.
He painted the face with a red brush, and so on.
Calder was the first to use a technique which was used for a long time by all the artists and the artists themselves.
He used it, for example, in painting the head of the artist to represent the artist.
The first work to be painted with this technique was the portrait of John Paul Jones, and it was in 1822 that it was used by Calder, Kree, and other painters to portray their own portraits of famous figures.
The work of Calder, and many of the other artists, was based on what we call the American style.
In painting a portrait, you put in all the paint you can think of and make the